Bu iki metin karşılaştırmalı olarak, Çeviribilim alanının yaygın kullanılan sadakat, manipülasyon, metne müdahale gibi paradigmaları üzerinden analiz edilecektir. Farklı metin üretici öznelerin, aynı kaynak metni nasıl farklı erek metinlere dönüştürdüğünü gözler önüne seren bu yazıda, roman kaynak kitap, sinema filmi ise onun bir çevirisi olarak ele alınacaktır. Bir başka ifadeyle, disiplinler arası bir yaklaşım ile uyarlama çalışmaları, söylem analizi ve göstergelerarası çeviri konularına değinen bu araştırma, farklı ürünlerin alımlanışını biçimlendiren söylemsel göndermeler üzerine yoğunlaşmaktadır. Çeviribilimsel bir bakış açısıyla ele alındığında göstergelerarası bir yaklaşımın ürünü olarak karşımıza çıkan bu analiz, "yazılı bir kaynak metin, farklı bir gösterge sistemine uyarlandığında çeviri söylemi açısından neler ifade etmektedir?" sorusunun yanıtını aramaktadır. Sure it is consistently successful - but nonetheless quality isĬlearly there in abundance, and Iglesias is a composer to watch.ÖZ Bu çalışmada, Halid Hüseyin'in Uçurtma Avcısı adlı romanı ile aynı isimle gösterime giren sinema uyarlamasının bir analizi sunulacaktır. Will appeal to everyone - and despite some wonderful moments, I'm not Takes a more restrained, distant tone, with "Fly a Kite" being It's a bit of a surprise in the middle of the score, but creates The real standout though is "Kite Tournament", a colourful pieceĮmbracing a diverse array of influences, remaining upbeat and cheerful. Highlight the first track that is resolutely Hollywood scoring! Haunting and moving - and isn't it typical of an infidel like myself to
Morricone-like theme is presented in "Sin" a beautiful melody, Influences becoming more textural than explicit (apart from the few However, as itĭevelops the score generally moves away from that, with the ethnic It is not without its appeal, but in terms ofĬatching a broad audience it might struggle. Hearing the exotic dance music whichĪccompanies the opening titles - the ethnic winds and percussion - isĪrresting, almost jarring, because it's so different from music one is The western traditions - the harder it can be on the palette of an Sounding like "Leonard Bernstein's eastern vacation".Ĭourse, the more authentic the music - the more different it is from It createsĪn interesting mix - no doubt any Afghan readers of this website wouldįind numerous flaws in the music, but it certainly avoids simply Variety of performers and instruments from not just Afghanistan, butĪll around the region, particularly Iran and Pakistan. "Afghan music", instead using the Hollywood musicians augmented by a IglesiasĪvoids that here by deliberately staying away from trying to write His only previous American film was The Constant Gardener, which earned him an Oscar nomination - a feat which has been accomplished again with The Kite Runner.Ī western composer to work on a film which ingrains itself in anĮntirely different culture can often lead to misfiring scores - aįrequent pitfall is writing unmistakably western music filtered throughĮthnic instrumentation, ending up just sounding fake. Spain, and most recently has become the composer-of-choice of PedroĪlmodovar. He doesn't tend to stick around with film composers, insteadĬhoosing them for projects based on their individual merits, and so heĬame to Alberto Iglesias, who has scored dozens of films, mostly in With Finding Neverland and Monster's Ball,Īnd will next turn his hand to making the next James Bond film. Director Marc Forster found success previously Is a sprawling work which goes through the last 30 years or so ofĪfghanistan's history, through the eyes of a pair of friends from youth A novel which could almost be used as the definition of the word "acclaimed", Khaled Hosseini's The Kite Runner
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